Monday Update: “Our plan is to shine a light on a group of outstanding and inspiring films,” Jimmy Kimmel said during Sunday night’s Oscars monologue, “each and every one of which got crushed by Black Panther this weekend.”
And so it was, as the Disney mega-blockbuster took first place for the third consecutive weekend with a confirmed $66.3 million. That’s the third-highest third weekend of all time, behind only Star Wars: The Force Awakens and Avatar. (Adjusted for ticket price inflation, it’s the fourth-highest behind also 2002’s Spider-Man.)
Incredibly, Panther this weekend already cracked the 100 highest grossing films of all time when adjusted for inflation, at #86 and just behind 1997’s Twister. In pure dollars, the film is already the #10 highest grossing film of all time, behind last year’s Beauty and the Beast.
Panther only declined 40.6 percent this frame, an impressive hold as word of mouth continues to drive audiences to theaters. The film should contend with fellow Disney newcomer A Wrinkle in Time for the top spot next weekend, but don’t rule out a four-peat.
Elsewhere at the box office, Fox’s spy thriller Red Sparrow started in second place with $16.8 million. The Jennifer Lawrence movie came in about in line with pre-release expectations.
MGM’s action flick Death Wish wished it would have earned more, as the film slightly underperformed expectations with a third place debut of $13.0 million.
Both Sony’s Jumanji: Welcome to the Jungle and Fox’s musical The Greatest Showman each spent an 11th weekend in the box office top 10. They become the first films to achieve the uncommon feat since Spider-Man: Homecoming, which reached the milestone last September. Showman seems unlikely to add a 12th week to its run in the top tier, but Jumanji could definitely spend 12th week in the region next frame.
Total box office this weekend was $148.4 million, a 23.3 percent decline from last frame. It was also a 21.8 percent drop from this same weekend last year, when Logan debuted with $88.4 million.
Year-to-date box office stands at $2.12 billion, an 11.9 percent increase over last year. That’s a little down from the +14.0 percent year-to-date level as of last frame, but still represents a substantial improvement from 2017.
Our full table of weekend actuals is below, after our Sunday update featuring fuller analysis.
Sunday Update:
No surprises here: Black Panther remains an unstoppable box office juggernaut. The Disney-Marvel powerhouse grossed an estimated $65.7 million in its third weekend, giving it a grand total of $501.1 million in North America after just 17 days. That’s a decline of just 41% from last weekend, a terrific hold and the lowest third-weekend drop for a Marvel superhero flick since Guardians of the Galaxy in 2014. It’s also the third best third weekend of all time after Star Wars: The Force Awakens and Avatar.
Black Panther not only surpassed Avengers: Age of Ultron this weekend to become the second highest-grossing MCU installment of all time (behind The Avengers), it became the 10th-highest grossing film of all time in North America, leapfrogging over the original Star Wars ($460 million including re-releases), Star Wars Episode I – The Phantom Menace ($474 million), and Finding Dory ($486 million). It’s set to outgross the Beauty and the Beast live-action remake ($504 million) early this week, and by the end of next weekend it will easily top Rogue One ($532 million) and The Dark Knight ($534 million) to land at No. 7 all-time.
Far back in second place is the Jennifer Lawrence spy thriller Red Sparrow, which came in at the lower end of expectations with an estimated $17 million in its debut frame. The $69 million film may have suffered in part from middling reviews and complex subject matter that made the film a tough sell to mainstream audience despite the presence of mega-star Lawrence in the lead role.
With a just-okay CinemaScore of “B” and a 56% audience rating on Rotten Tomatoes, Sparrow may have an uphill battle ahead of it. When comparing it with female-fronted action-thrillers of the past, its debut numbers rank far behind the likes of 2010’s Salt ($36 million opening) and 2014’s Lucy ($43 million opening), and slightly behind last year’s Atomic Blonde ($18.2 million), whose reported budget was less than half that of Sparrow‘s. If the 20th Century Fox release declines as expected, it will rank as the third box office disappointment in a row for Lawrence after last year’s arthouse horror freakout mother! and 2016’s big-budget sci-fi Passengers, which inched past $300 million worldwide but barely grossed $100 million Stateside.
Third place went to Death Wish, the Bruce Willis revenge thriller that grossed an estimated $13 million in its opening weekend. While not a terrible result for the $30 million title, the debut of the MGM release (the studio’s first self-distributed film since announcing its return to U.S. distribution last year) came in below most industry expectations, which ran as high as $20 million heading into the weekend.
Reviews for the Eli Roth-directed film were as brutal as they come, though it’s worth noting that the heavily-male audience (the split was 57-43% male-female) was more forgiving; the film received a B+ CinemaScore and a Rotten Tomatoes audience score of 85%, which could bode well for its long-term playability. Death Wish‘s relative underperformance this weekend could in part be due to an overcrowded first quarter for male-oriented actioners, with films like The Commuter, Den of Thieves, 12 Strong and The 15:17 to Paris (not to mention Black Panther) all saturating the marketplace over the last several weeks.
Down in fourth, Warner Bros.’ Game Night held well in its sophomore frame, dipping just 37% to an estimated $10.7 million and a total of $33.5 million thus far. The Rachel McAdams film is the sole adult comedy in the marketplace currently, which in addition to good word-of-mouth helps explain its solid hold in weekend two. It’ll have more competition on that front starting next weekend, when Gringo starring David Oyelowo and Charlize Theron debuts.
At No. 5, Sony’s Peter Rabbit eased just 22% to bring in an estimated $10 million in its fourth weekend, giving it an impressive total of $84 million thus far. The $50 million Sony release is the first bona fide family-movie hit of the year, sidestepping the fate of underperformers like Paddington 2 and Early Man, both of which struggled to find an audience in North America (though the former was a big hit internationally).
Paramount’s sci-fi/horror Annihilation simply couldn’t hold on in its sophomore frame, slipping to $5.6 million for a total of just $20.6 million in North America so far. Though the $40 million Paramount release received rave reviews, mainstream audiences were clearly flummoxed by the film’s unconventional sci-fi storyline and it struggled to gain a foothold in a blockbuster era dominated by such brand-name releases as Black Panther and Jumanji. That said, it should enjoy a healthier afterlife as a cult favorite on home-viewing formats. Notably, the film is debuting exclusively on Netflix in most markets later this month, following a deal that saw the streamer taking on a portion of the film’s budget for exclusive rights in territories outside North America and China.
Jumanji: Welcome to the Jungle fell to seventh in its eleventh weekend of release, posting another tiny decline of just 20% with an estimated $4.5 million and a grand total of $393.2 million so far. The Dwayne Johnson sequel is inching ever closer to the $403 million total of 2002’s Spider-Man; when it surpasses that amount, it will officially become the highest-grossing Sony release of all time in North America.
Rounding out the Top 10, Fifty Shades Freed grossed $3.3 million in eighth place for a total of $95.6 million after four weekends, The Greatest Showman added $2.6 million for a total of $164.6 million in ninth, and in tenth place the YA adaptation Every Day brought in $1.5 million and a scant $5.2 million thus far.
Overseas Update:
Black Panther brought in another $56.2 million overseas, bringing its international total to $396.6 million and its global total to a whopping $897.7 million. Tomorrow it will become just the fifth MCU release ever to cross $900 million worldwide. It opens in China next weekend.
Weekend Actuals (Domestic)
FRI, MAR. 2 – SUN, MAR. 4
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | Black Panther | $66,306,935 | -41% | 4,084 | 64 | $16,236 | $501,706,972 | 3 | Disney |
| 2 | Red Sparrow | $16,853,422 | — | 3,056 | — | $5,515 | $16,853,422 | 1 | 20th Century Fox |
| 3 | Death Wish | $13,010,267 | — | 2,847 | — | $4,570 | $13,010,267 | 1 | MGM |
| 4 | Game Night | $10,412,496 | -39% | 3,502 | 14 | $2,973 | $33,240,262 | 2 | Warner Bros. |
| 5 | Peter Rabbit | $10,005,177 | -22% | 3,607 | -100 | $2,774 | $84,065,553 | 4 | Sony / Columbia |
| 6 | Annihilation | $5,607,902 | -49% | 2,112 | 100 | $2,655 | $20,594,644 | 2 | Paramount Pictures |
| 7 | Jumanji: Welcome To The Jungle | $4,438,090 | -21% | 2,313 | -206 | $1,919 | $393,139,443 | 11 | Sony / Columbia |
| 8 | Fifty Shades Freed | $3,400,505 | -52% | 2,614 | -651 | $1,301 | $95,689,965 | 4 | Universal |
| 9 | The Greatest Showman | $2,703,357 | -21% | 1,407 | -194 | $1,921 | $164,644,800 | 11 | Fox |
| 10 | Every Day | $1,553,195 | -49% | 1,669 | 2 | $931 | $5,253,998 | 2 | Orion Pictures |
| 11 | The 15:17 to Paris | $1,413,755 | -60% | 1,803 | -949 | $784 | $34,961,971 | 4 | Warner Bros. |
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | The Shape of Water | $1,461,602 | 24% | 832 | 111 | $1,757 | $57,455,578 | 14 | Fox Searchlight |
| 2 | Three Billboards Outside Ebbing, Missouri | $1,274,194 | 2% | 770 | 79 | $1,655 | $52,044,383 | 21 | Fox Searchlight |
| 3 | The Post | $937,658 | -24% | 671 | -124 | $1,397 | $80,392,627 | 11 | 20th Century Fox |
| 4 | Call Me by Your Name | $783,227 | 50% | 914 | 239 | $857 | $16,909,289 | 15 | Sony Pictures Classics |
| 5 | Darkest Hour | $696,160 | -7% | 913 | 118 | $762 | $55,550,377 | 15 | Focus Features |
| 6 | Phantom Thread | $628,525 | -27% | 715 | 64 | $879 | $20,162,689 | 10 | Focus Features |
| 7 | Lady Bird | $568,742 | -15% | 710 | 109 | $801 | $48,321,868 | 18 | A24 |
| 8 | I, Tonya | $552,389 | -5% | 511 | 88 | $1,081 | $28,941,486 | 13 | Neon |
| 9 | Winchester | $516,392 | -44% | 576 | -276 | $897 | $24,545,230 | 5 | Lionsgate / CBS Films |
| 10 | Early Man | $486,262 | -73% | 897 | -1597 | $542 | $7,738,711 | 3 | Lionsgate |
| 11 | Maze Runner: The Death Cure | $470,922 | -51% | 543 | -409 | $867 | $57,095,133 | 6 | Fox |
| 12 | 2018 Oscar Nominated Short Films | $422,990 | -13% | 271 | 39 | $1,561 | $3,309,589 | 4 | Magnolia Pictures |
| 13 | Coco | $321,188 | -32% | 235 | -31 | $1,367 | $208,473,907 | 15 | Disney |
| 14 | Samson | $308,487 | -68% | 434 | -706 | $711 | $4,440,576 | 3 | Pure Flix |
| 15 | Star Wars: The Last Jedi | $252,689 | -28% | 221 | -71 | $1,143 | $619,116,325 | 12 | Disney |
| 16 | Den of Thieves | $223,863 | -43% | 269 | -88 | $832 | $44,694,190 | 7 | STX Entertainment |
| 17 | Paddington 2 | $212,361 | 0% | 293 | 12 | $725 | $40,058,423 | 8 | Warner Bros. |
| 18 | Ferdinand | $211,603 | -12% | 204 | -10 | $1,037 | $83,075,940 | 12 | Fox |
| 19 | 12 Strong | $163,030 | -58% | 257 | -191 | $634 | $45,183,792 | 7 | Warner Bros. |
| 20 | Hostiles | $159,044 | -55% | 251 | -167 | $634 | $29,465,384 | 11 | Entertainment Studios Motion Pictures |
| 21 | Thor: Ragnarok | $118,574 | -14% | 110 | -21 | $1,078 | $314,965,819 | 18 | Disney |
| 22 | Wonder (2017) | $92,987 | -45% | 150 | -8 | $620 | $132,093,157 | 16 | Lionsgate |
| 23 | Forever My Girl | $92,352 | -43% | 145 | -73 | $637 | $16,176,249 | 7 | Roadside Attractions/LD Entertainment |
| 24 | The Commuter | $75,715 | -33% | 112 | -26 | $676 | $36,242,015 | 8 | Lionsgate |
| 25 | Pitch Perfect 3 | $68,100 | -25% | 113 | -22 | $603 | $104,878,410 | 11 | Universal |
| 26 | Justice League | $51,159 | -40% | 101 | -36 | $507 | $228,962,883 | 16 | Warner Bros. |
| 27 | Nostalgia | $42,063 | 152% | 140 | 124 | $300 | $86,301 | 3 | Bleecker Street |
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | Operation Red Sea | $333,408 | -24% | 55 | 9 | $6,062 | $977,616 | 2 | Well Go USA Entertainment |
| 2 | Detective Chinatown 2 | $146,069 | -62% | 65 | -46 | $2,247 | $1,803,125 | 3 | Warner Bros. |
| 3 | The Party | $127,464 | 29% | 86 | 56 | $1,482 | $317,028 | 3 | Roadside Attractions |
| 4 | A Fantastic Woman | $125,005 | -21% | 89 | 11 | $1,405 | $781,558 | 5 | Sony Pictures Classics |
| 5 | La Boda de Valentina | $102,890 | -55% | 95 | -46 | $1,083 | $2,683,498 | 4 | Lionsgate / Pantelion |
| 6 | Molly’s Game | $75,449 | -40% | 91 | -13 | $829 | $28,740,252 | 10 | STX Entertainment |
| 7 | Loveless | $61,460 | 2% | 25 | 13 | $2,458 | $221,568 | 3 | Sony Pictures Classics |
| 8 | The Insult | $52,674 | -31% | 51 | 0 | $1,033 | $856,382 | 8 | Cohen Media Group |
| 9 | Monster Hunt 2 | $39,939 | -60% | 20 | -35 | $1,997 | $689,087 | 3 | Lionsgate |
| 10 | Agent Mr Chan | $39,464 | -37% | 9 | -1 | $4,385 | $138,031 | 2 | China Lion Film |
| 11 | Bombshell: The Hedy Lamarr Story | $34,231 | 226% | 19 | 11 | $1,802 | $341,008 | 15 | Zeitgeist |
| 12 | Foxtrot | $31,629 | — | 4 | — | $7,907 | $69,883 | 1 | Sony Pictures Classics |
| 13 | Film Stars Don’t Die in Liverpool | $29,946 | -60% | 53 | -49 | $565 | $772,478 | 10 | Sony Pictures Classics |
| 14 | Pad Man | $27,525 | -73% | 27 | -68 | $1,019 | $1,662,927 | 4 | Sony Pictures Releasing International |
| 15 | Proud Mary | $24,678 | -39% | 47 | -27 | $525 | $20,868,638 | 8 | Sony / Screen Gems |
| 16 | 1945 | $17,155 | -28% | 8 | 0 | $2,144 | $387,941 | 18 | Menemsha Films |
| 17 | The Young Karl Marx | $15,935 | -39% | 12 | 9 | $1,328 | $56,679 | 2 | The Orchard |
| 18 | Oh Lucy! | $14,569 | — | 3 | — | $4,856 | $14,569 | 1 | Film Movement |
| 19 | All the Money in the World | $14,467 | -44% | 18 | -12 | $804 | $25,037,552 | 10 | Sony / TriStar |
| 20 | Detective K: Secret of the Living Dead | $11,026 | -38% | 6 | -2 | $1,838 | $97,468 | 3 | Well Go USA Entertainment |
| 21 | Mary and The Witch’s Flower | $10,766 | -95% | 11 | -437 | $979 | $2,345,500 | 7 | GKIDS |
| 22 | Death House | $10,295 | — | 1 | — | $10,295 | $10,295 | 1 | Hannover House |
| 23 | The Florida Project | $10,230 | -21% | 10 | -11 | $1,023 | $5,873,661 | 22 | A24 |
| 24 | Let Yourself Go | $8,128 | — | 8 | — | $1,016 | $8,128 | 1 | Menemsha Films |
| 25 | In The Fade | $7,697 | 100% | 14 | 3 | $550 | $288,485 | 10 | Magnolia Pictures |
| 26 | Mind Game | $7,225 | 496% | 3 | 1 | $2,408 | $14,811 | 3 | GKIDS |
| 27 | The Square | $7,107 | -10% | 10 | -2 | $711 | $1,487,823 | 19 | Magnolia Pictures |
| 28 | The Monkey King 3 | $5,616 | -73% | 3 | -11 | $1,872 | $184,419 | 3 | Well Go USA Entertainment |
| 29 | In Between | $5,029 | -26% | 6 | -2 | $838 | $78,287 | 9 | Film Movement |
| 30 | The Sacrifice (2017 re-release) | $5,007 | — | 1 | — | $5,007 | $58,248 | 20 | Kino Lorber |
| 31 | The Disaster Artist | $4,343 | -33% | 8 | -4 | $543 | $21,117,607 | 14 | New Line / A24 |
| 32 | Ichi The Killer: Definitive Remastered Edition | $4,096 | — | 3 | — | $1,365 | $16,189 | 17 | Well Go USA Entertainment |
| 33 | Double Lover | $3,548 | -83% | 3 | -19 | $1,183 | $155,046 | 3 | Cohen Media Group |
| 34 | Jane | $3,523 | -12% | 3 | 0 | $1,174 | $1,713,514 | 20 | Abramorama |
| 35 | American Socialist: The Life & Times of Eugene Victor Debs | $2,823 | — | 1 | — | $2,823 | $2,823 | 1 | First Run Features |
| 36 | Happy End | $2,776 | -60% | 13 | -5 | $214 | $285,532 | 11 | Sony Pictures Classics |
| 37 | Western | $2,603 | -46% | 3 | 2 | $868 | $23,026 | 3 | Cinema Guild |
| 38 | BPM (Beats Per Minute) | $2,480 | 49% | 1 | -2 | $2,480 | $118,384 | 20 | The Orchard |
| 39 | Have A Nice Day | $2,470 | -66% | 7 | -8 | $353 | $70,956 | 6 | Strand Releasing |
| 40 | Souvenir | $2,267 | — | 1 | — | $2,267 | $2,267 | 1 | Strand Releasing |
| 41 | Humor Me | $2,204 | 75% | 4 | 2 | $551 | $38,419 | 8 | Shout! Factory |
| 42 | Tom of Finland | $2,188 | -52% | 3 | 1 | $729 | $371,696 | 21 | Kino Lorber |
| 43 | Tehran Taboo | $1,869 | -69% | 2 | -1 | $935 | $31,601 | 3 | Kino Lorber |
| 44 | The Breadwinner | $1,865 | -53% | 6 | -10 | $311 | $309,737 | 16 | GKIDS |
| 45 | The Cured | $1,742 | -64% | 5 | 2 | $348 | $9,306 | 2 | IFC Films |
| 46 | God’s Own Country | $1,640 | — | 2 | — | $820 | $334,359 | 19 | Orion Pictures / Samuel Goldwyn Films |
| 47 | Bob Le Flambeur | $870 | -52% | 1 | -1 | $870 | $12,916 | 9 | Rialto Pictures |
| 48 | Thelma | $778 | — | 1 | — | $778 | $147,112 | 17 | The Orchard |
| 49 | Rat Film | $256 | — | 1 | — | $256 | $35,195 | 25 | Cinema Guild |
| 50 | Beuys | $150 | -26% | 1 | 0 | $150 | $52,432 | 7 | Kino Lorber |
| 51 | The Divine Order | $87 | -12% | 1 | 0 | $87 | $72,008 | 19 | Kino Lorber / Zeitgeist Films |
SUNDAY’S STUDIO WEEKEND ESTIMATES
Friday, March 2 – Sunday, March 4, 2018
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | Black Panther | $65,705,000 | -41% | 4,084 | 64 | $16,088 | $501,105,037 | 3 | Disney |
| 2 | Red Sparrow | $17,000,000 | — | 3,056 | — | $5,563 | $17,000,000 | 1 | 20th Century Fox |
| 3 | Death Wish | $13,025,000 | — | 2,487 | — | $5,237 | $13,025,000 | 1 | MGM |
| 4 | Game Night | $10,710,000 | -37% | 3,502 | 14 | $3,058 | $33,537,766 | 2 | Warner Bros. |
| 5 | Peter Rabbit | $10,000,000 | -22% | 3,607 | -100 | $2,772 | $84,060,376 | 4 | Sony / Columbia |
| 6 | Annihilation | $5,650,000 | -49% | 2,112 | 100 | $2,675 | $20,636,742 | 2 | Paramount Pictures |
| 7 | Jumanji: Welcome To The Jungle | $4,500,000 | -20% | 2,313 | -206 | $1,946 | $393,201,353 | 11 | Sony / Columbia |
| 8 | Fifty Shades Freed | $3,310,000 | -54% | 2,614 | -651 | $1,266 | $95,599,460 | 4 | Universal |
| 9 | The Greatest Showman | $2,675,000 | -22% | 1,407 | -194 | $1,901 | $164,616,443 | 11 | Fox |
| 10 | Every Day | $1,560,030 | -48% | 1,669 | 2 | $935 | $5,260,834 | 2 | Orion Pictures |
| 11 | The 15:17 to Paris | $1,455,000 | -59% | 1,803 | -949 | $807 | $35,003,216 | 4 | Warner Bros. |
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | The Shape of Water | $1,400,000 | 19% | 832 | 111 | $1,683 | $57,393,976 | 14 | Fox Searchlight |
| 2 | Three Billboards Outside Ebbing, Missouri | $1,230,000 | -2% | 770 | 79 | $1,597 | $52,000,189 | 21 | Fox Searchlight |
| 3 | Call Me by Your Name | $919,926 | 76% | 914 | 239 | $1,006 | $17,045,988 | 15 | Sony Pictures Classics |
| 4 | The Post | $915,000 | -26% | 671 | -124 | $1,364 | $80,369,969 | 11 | 20th Century Fox |
| 5 | I, Tonya | $561,061 | -4% | 511 | 88 | $1,098 | $28,950,158 | 13 | Neon |
| 6 | Lady Bird | $532,204 | -21% | 710 | 109 | $750 | $48,285,330 | 18 | A24 |
| 7 | Winchester | $525,000 | -44% | 576 | -276 | $911 | $24,553,838 | 5 | Lionsgate / CBS Films |
| 8 | Early Man | $485,000 | -73% | 897 | -1597 | $541 | $7,737,449 | 3 | Lionsgate |
| 9 | Maze Runner: The Death Cure | $450,000 | -53% | 543 | -409 | $829 | $57,074,211 | 6 | Fox |
| 10 | Coco | $335,000 | -29% | 235 | -31 | $1,426 | $208,487,719 | 15 | Disney |
| 11 | Samson | $304,000 | -69% | 434 | -706 | $700 | $4,436,089 | 3 | Pure Flix |
| 12 | Star Wars: The Last Jedi | $254,000 | -28% | 221 | -71 | $1,149 | $619,117,636 | 12 | Disney |
| 13 | Den of Thieves | $210,000 | -47% | 269 | -88 | $781 | $44,680,327 | 7 | STX Entertainment |
| 14 | Hostiles | $166,000 | -53% | 251 | -167 | $661 | $29,472,340 | 11 | Entertainment Studios Motion Pictures |
| 15 | Thor: Ragnarok | $124,000 | -10% | 110 | -21 | $1,127 | $314,971,245 | 18 | Disney |
| 16 | Forever My Girl | $90,601 | -45% | 145 | -73 | $625 | $16,174,498 | 7 | Roadside Attractions/LD Entertainment |
| 17 | Wonder (2017) | $90,000 | -47% | 150 | -8 | $600 | $132,090,170 | 16 | Lionsgate |
| 18 | The Commuter | $75,000 | -34% | 112 | -26 | $670 | $36,241,300 | 8 | Lionsgate |
| 19 | Pitch Perfect 3 | $70,000 | -22% | 113 | -22 | $619 | $104,880,310 | 11 | Universal |
| 20 | Nostalgia | $40,626 | 143% | 140 | 124 | $290 | $84,864 | 3 | Bleecker Street |
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | Operation Red Sea | $325,000 | -25% | 55 | 9 | $5,909 | $969,208 | 2 | Well Go USA Entertainment |
| 2 | A Fantastic Woman | $150,193 | -5% | 89 | 11 | $1,688 | $806,746 | 5 | Sony Pictures Classics |
| 3 | The Party | $140,915 | 43% | 92 | 62 | $1,532 | $330,479 | 3 | Roadside Attractions |
| 4 | La Boda de Valentina | $95,000 | -58% | 95 | -46 | $1,000 | $2,675,608 | 4 | Lionsgate / Pantelion |
| 5 | Molly’s Game | $80,000 | -36% | 91 | -13 | $879 | $28,744,803 | 10 | STX Entertainment |
| 6 | Loveless | $60,583 | 1% | 25 | 13 | $2,423 | $220,691 | 3 | Sony Pictures Classics |
| 7 | The Insult | $55,592 | -27% | 47 | -4 | $1,183 | $858,795 | 8 | Cohen Media Group |
| 8 | Foxtrot | $36,786 | — | 4 | — | $9,197 | $36,786 | 1 | Sony Pictures Classics |
| 9 | Monster Hunt 2 | $32,000 | -68% | 20 | -35 | $1,600 | $681,148 | 3 | Lionsgate |
| 10 | Faces Places | $21,113 | 39% | 20 | 4 | $1,056 | $900,903 | 22 | Cohen Media Group |
| 11 | The Young Karl Marx | $17,533 | -33% | 12 | 9 | $1,461 | $58,277 | 2 | The Orchard |
| 12 | Death House | $10,295 | — | 1 | — | $10,295 | $10,295 | 1 | Hannover House |
| 13 | Double Lover | $3,586 | -83% | 3 | -19 | $1,195 | $155,084 | 3 | Cohen Media Group |
| 14 | BPM (Beats Per Minute) | $2,480 | 49% | 12 | 9 | $207 | $118,384 | 20 | The Orchard |
| 15 | Thelma | $778 | — | 1 | — | $778 | $147,112 | 17 | The Orchard |
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