Monday Update: Warner Bros. horror spinoff The Nun earned the opposite of “none” at the box office, arriving at the highest end of pre-release expectations with a confirmed $53.8M.
That’s the highest opening among any of the five films in this decade’s Conjuring horror franchise, even adjusting for ticket price inflation. (It beats July 2013’s original Conjuring for the honor.)
STX’s R-rated action thriller Peppermint started in second place with a confirmed $13.4M. That’s about in line with pre-release expectations, and almost identical to the similar Mile 22 last month.
Freestyle Releasing’s faith-based God Bless the Broken Road, while not expected to crack the top five, finished outside the top 10 entirely, with an 11th place opening of $1.3 million.
Demographics
A full demographic breakdown of last weekend, courtesy of BoxofficeProfile by Vertigo, is included below:
Of particular note: Peppermint, despite its female lead, had a 65.2% male audience. That was an even higher male percentage this weekend than Mission: Impossible – Fallout or Alpha.
The Nun‘s audience was 51.0% female and 46.9% under age 25.
Comparisons
Total box office this weekend was $120.5M. That’s up +21.9% from last weekend (excluding the Labor Day Monday).
However, it’s down -26.5% from the same weekend last year, when It obliterated the record for best September opening weekend ever.
Year-to-date box office stands at $8.47B. That’s up +9.8% from this same date last year, even with +9.8% following last weekend as well.
Our full table of weekend actuals is below, after our Sunday update featuring fuller analysis.
Sunday Update:
The fall movie season started off with a bang this weekend, as The Nun blasted past expectations to debut with an estimated $53.5 million in its opening frame. Elsewhere, Peppermint had an okay debut in third place while fellow newcomer God Bless the Broken Road barely registered with a weaker-than-expected opening.
Following four previous films in what is now being referred to as the Conjuring universe, The Nun successfully set a new opening record for the franchise, easily besting the first Conjuring‘s $41.8 million debut back in 2013. It didn’t hurt that the Warner Bros. title enjoyed the widest release of any of the previous Conjuring and Conjuring-adjacent films, debuting in a whopping 3,876 locations for a sizzling per-screen average of $13,803. Its weekend cume includes $4.5 million from over 400 IMAX locations, whose elevated ticket prices helped boost its overall total.
While far from the nearly-untouchable $123.4 million opening weekend of It last year, The Nun‘s total this weekend nevertheless stands as the second-highest September debut of all time. It was helped along by a memorable trailer (which boasted the highest recall of any trailer last week, according to our metrics) and a relative dearth of top-tier horror releases as of late, which ramped up anticipation among genre fans.
While fans certainly turned out for opening weekend, it remains to be seen how front-loaded The Nun will prove to be. For one thing, it garnered a not-great “C” Cinemascore from opening day audiences – by far the lowest of the franchise – and its Rotten Tomatoes score currently stands at a fairly dismal 29%. That’s the same percentage garnered by the first Annabelle, which also happens to have the lowest weekend-to-final multiplier of any film in the series with 2.2x ($37.1 million opening, $84.2 million total). Should The Nun follow a similar trajectory, it would finish somewhere in the neighborhood of $110-120 million when all is said and done, though of course it’s too early to tell how subsequent weekends will play out.
Notably, this is the fifth consecutive weekend that Warner Bros. has had the No. 1 movie in North America, following the three-weekend run of Crazy Rich Asians and the opening weekend of The Meg before that. It’s also the fourth consecutive weekend the studio has had both the No. 1 and No. 2 films domestically, which they note hasn’t happened in over 25 years. That could change, of course, if Crazy Rich Asians is knocked from its No.2 perch by Peppermint once actuals come in, as estimates for the two titles currently have them about $400K apart.
Dropping to second place after a spectacular three weekend run at the top of the chart is Crazy Rich Asians, which dipped 37% to $13.6 million in its fourth weekend release. The Warner Bros. smash now boasts an incredible $136.2 million to date, which already makes it one of the highest-grossing romantic comedies of all time. If it continues at its current pace, it could well end up in the $200 million range, rivaling the No. 1 rom-com of all time, 2002’s My Big Fat Greek Wedding ($241.4 million total).
Third place went to revenge thriller Peppermint, which took in a decent $13.2 million in its opening frame. Among similar titles, that’s about in line with this year’s Death Wish remake, which debuted to $13 million back in March. Meanwhile, it came in slightly below the $14.4 million John Wick opened to back in 2014 and considerably under the $17.6 million opening of the Gabrielle Union thriller Breaking In from earlier this year. The opening weekend audience for Peppermint was 56% female.
The smart money has Peppermint performing just about in line with Death Wish, which had a similarly-dreary Rotten Tomatoes average (Peppermint currently sits at just 13%) and an identical “B+” Cinemascore and ultimately finished with $34 million in North America. A glut of similar fare as of late, including last month’s The Equalizer 2, could have put a damper on this one’s prospects. According to some reports, the budget for Peppermint is in the mid-$20 million range.
In fourth place, The Meg continued its stellar run with another $6 million in weekend number five, giving the giant-shark thriller a total of $131.5 million to date and nearly three times as much overseas. In fifth, Sony/Screen Gems’ Searching brought in an estimated $4.5 million after adding over 800 screens in its second weekend of wide release and third weekend overall. The additional locations allowed the John Cho thriller to ease just 25 percent from last weekend, giving it a total of $14.3 million to date.
Mission: Impossible – Fallout fell out of the Top 5 for the first time this weekend, taking sixth place with $3.8 million in its seventh frame. With $212.1 million in the bank, the Tom Cruise actioner is now within striking distance of toppling Mission Impossible II as the highest-grossing entry in the franchise to date and should do so by next weekend.
In seventh place, Disney’s Christopher Robin added an estimated $3.1 million in its sixth weekend, giving the family release $91.7 million to date and bringing it closer to the $100 million milestone. If it does hit cross that threshold, it would become the seventh Disney title to do so this year.
Eighth place went to Operation Finale, which took in an estimated $3 million in its second weekend. The MGM release dipped 49 percent from its $6 million three-day debut over Labor Day. It now has $14.1 million after 12 days.
Rounding out the Top 10 are BlacKkKlansman and Alpha, which grossed an estimated $2.6 million and $2.5 million in ninth and tenth place, respectively. Alpha‘s total now stands at $32,4 million and BlacKkKlansman has $43.5 million, making it the third-highest-grossing film from Spike Lee not adjusting for inflation.
Debuting even lower than expected outside the Top 10 is Freestyle Releasing’s God Bless the Broken Road, which took in an estimated $1.5 million in 1,272 locations, landing it in 11th place. That’s a far cry from the $17.1 million debut of I Can Only Imagine, another Christian-themed drama based on a hit song that finished its North American run with a spectacular $83.4 million earlier this year.
Limited Release:
Buoyed by strong reviews for stars Glenn Close and Jonathan Pryce, The Wife expanded to 153 screens this weekend and took in an estimated $712,970, giving it a per-screen average of $4,660. Its domestic total is currently $2 million after four weeks of limited release.
Overseas Update:
The Nun took in an estimated $77.5 million in 60 overseas markets, bringing its global opening weekend tally to a scorching $131 million. Totals include $10.7 million in Mexico, $6.8 million in Brazil, $7.7 million in Indonesia, and $5.2 million in the U.K.
Mission: Impossible – Fallout brought in an estimated $38.6 million internationally this weekend (including $32.4 million in its second weekend of release in China), bringing its international cume to $514.5 million. The sixth film in the long-running franchise now has a fantastic worldwide total of $726.6 million, making it the highest-grossing M:I film globally by a long shot.
Monday’s Weekend Actuals (Domestic)
FRI, SEP. 7 – SUN, SEP. 9
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | The Nun | $53,807,379 | — | 3,876 | — | $13,882 | $53,807,379 | 1 | Warner Bros. |
| 2 | Peppermint | $13,423,255 | — | 2,980 | — | $4,504 | $13,423,255 | 1 | STX Entertainment |
| 3 | Crazy Rich Asians | $13,148,404 | -40% | 3,865 | 0 | $3,402 | $135,770,569 | 4 | Warner Bros. |
| 4 | The Meg | $6,094,327 | -42% | 3,511 | -250 | $1,736 | $131,637,101 | 5 | Warner Bros. |
| 5 | Searching | $4,570,235 | -25% | 2,009 | 802 | $2,275 | $14,366,365 | 3 | Sony Pictures |
| 6 | Mission: Impossible – Fallout | $3,885,798 | -45% | 2,334 | -305 | $1,665 | $212,202,565 | 7 | Paramount |
| 7 | Disney’s Christopher Robin | $3,404,931 | -35% | 2,518 | -407 | $1,352 | $91,934,021 | 6 | Disney |
| 8 | Operation Finale | $2,871,184 | -52% | 1,818 | 0 | $1,579 | $13,935,630 | 2 | MGM |
| 9 | BlacKkKlansman | $2,609,915 | -38% | 1,547 | -219 | $1,687 | $43,498,445 | 5 | Focus Features |
| 10 | Alpha | $2,517,768 | -45% | 2,521 | -360 | $999 | $32,460,286 | 4 | Sony / Columbia |
| 11 | God Bless the Broken Road | $1,386,254 | — | 1,272 | — | $1,090 | $1,386,254 | 1 | Freestyle Releasing |
| 12 | Incredibles 2 | $1,352,194 | -60% | 1,446 | -1444 | $935 | $604,465,699 | 13 | Disney |
| 13 | Mile 22 | $1,206,503 | -68% | 1,802 | -1148 | $670 | $35,111,649 | 4 | STX Entertainment |
| 14 | Hotel Transylvania 3: Summer Vacation | $1,121,921 | -47% | 1,012 | -409 | $1,109 | $164,233,534 | 11 | Sony / Columbia |
| 15 | The Happytime Murders | $1,082,377 | -75% | 1,839 | -1417 | $589 | $20,027,804 | 3 | STX Entertainment |
| 16 | Kin (2018) | $804,401 | -74% | 2,141 | 0 | $376 | $5,318,012 | 2 | Lionsgate / Summit |
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | Slender Man | $838,526 | -54% | 983 | -551 | $853 | $29,692,608 | 5 | Sony / Screen Gems |
| 2 | Ya Veremos | $767,346 | -57% | 369 | 0 | $2,080 | $3,312,383 | 2 | Lionsgate / Pantelion Films |
| 3 | Juliet, Naked | $642,022 | -22% | 467 | 149 | $1,375 | $2,429,485 | 4 | Roadside Attractions / Lionsgate |
| 4 | The Wife | $639,857 | 23% | 153 | 75 | $4,182 | $1,964,144 | 4 | Sony Pictures Classics |
| 5 | Ant-Man and the Wasp | $619,010 | -56% | 548 | -282 | $1,130 | $214,822,211 | 10 | Disney |
| 6 | Mamma Mia! Here We Go Again | $594,885 | -53% | 614 | -396 | $969 | $119,064,225 | 8 | Universal Pictures |
| 7 | The Equalizer 2 | $500,678 | -66% | 646 | -830 | $775 | $101,587,436 | 8 | Sony / Columbia |
| 8 | Jurassic World: Fallen Kingdom | $433,180 | -72% | 579 | -977 | $748 | $415,873,035 | 12 | Universal |
| 9 | A.X.L. | $296,626 | -78% | 555 | -1155 | $534 | $6,235,221 | 3 | Global Road Entertainment |
| 10 | Teen Titans GO! to the Movies | $222,802 | -34% | 298 | -24 | $748 | $29,111,852 | 7 | Warner Bros. |
| 11 | Eighth Grade | $165,705 | -38% | 176 | -51 | $942 | $13,265,352 | 9 | A24 |
| 12 | Three Identical Strangers | $147,957 | -41% | 132 | -38 | $1,121 | $11,905,903 | 11 | Neon |
| 13 | Skyscraper | $118,570 | -29% | 153 | -35 | $775 | $67,571,940 | 9 | Universal Pictures |
| 14 | The Spy Who Dumped Me | $105,550 | -72% | 207 | -253 | $510 | $33,325,340 | 6 | Lionsgate |
| 15 | Puzzle | $93,835 | -50% | 131 | -82 | $716 | $1,794,430 | 7 | Sony Pictures Classics |
| 16 | Papillon | $68,605 | -82% | 117 | -422 | $586 | $2,294,629 | 3 | Bleecker Street |
| 17 | Ocean’s 8 | $62,780 | -41% | 128 | -26 | $490 | $139,303,241 | 14 | Warner Bros. |
| 18 | The Little Stranger | $62,335 | -84% | 477 | 3 | $131 | $675,393 | 2 | Focus Features |
| 19 | Perfect Blue (2018 re-release) | $19,020 | — | 491 | — | $39 | $240,987 | 1 | GKIDS |
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | Sorry To Bother You | $86,201 | -69% | 72 | -433 | $1,197 | $17,250,185 | 10 | Annapurna Pictures |
| 2 | Blaze | $62,420 | 5% | 36 | 16 | $1,734 | $255,082 | 4 | IFC Films / Sundance Selects |
| 3 | We The Animals | $51,110 | 25% | 42 | 23 | $1,217 | $281,952 | 4 | The Orchard |
| 4 | Pick of the Litter | $47,807 | 189% | 9 | 7 | $5,312 | $70,902 | 2 | IFC Films |
| 5 | Leave No Trace | $47,188 | -15% | 94 | -4 | $502 | $5,923,911 | 11 | Bleeker Street |
| 6 | Won’t You Be My Neighbor? | $41,480 | -45% | 92 | -21 | $451 | $22,582,312 | 14 | Focus Features |
| 7 | The Darkest Minds | $39,165 | -29% | 79 | -38 | $496 | $12,623,974 | 6 | 20th Century Fox |
| 8 | Uncle Drew | $38,396 | -39% | 79 | -13 | $486 | $42,458,985 | 11 | Lionsgate / Summit |
| 9 | Blindspotting | $37,678 | -40% | 44 | -35 | $856 | $4,314,103 | 8 | Lionsgate / Summit |
| 10 | The Miseducation of Cameron Post | $35,620 | -40% | 32 | -13 | $1,113 | $838,653 | 6 | FilmRise |
| 11 | Kusama – Infinity | $30,998 | — | 2 | — | $15,499 | $30,998 | 1 | Magnolia Pictures |
| 12 | Dog Days | $30,241 | -45% | 83 | -40 | $364 | $6,762,129 | 5 | LD Entertainment / Mirror |
| 13 | Solo: A Star Wars Story | $24,154 | -60% | 62 | -28 | $390 | $213,741,023 | 16 | Disney |
| 14 | Sicario: Day of the Soldado | $20,804 | -56% | 40 | -24 | $520 | $50,043,467 | 11 | Sony / Black Label |
| 15 | Avengers: Infinity War | $20,297 | -66% | 60 | -32 | $338 | $678,809,000 | 20 | Disney |
| 16 | Beautifully Broken | $20,098 | -88% | 52 | -309 | $387 | $1,170,072 | 3 | ArtAffects Entertainment |
| 17 | McQueen | $20,002 | -24% | 15 | -2 | $1,333 | $1,208,019 | 8 | Bleecker Street |
| 18 | Let the Corpses Tan | $16,830 | 41% | 13 | 10 | $1,295 | $52,102 | 2 | Kino Lorber |
| 19 | Death of a Nation | $16,126 | -84% | 58 | -195 | $278 | $5,859,544 | 6 | Quality Flix / Pure Flix |
| 20 | Madeline’s Madeline | $15,850 | -45% | 31 | 0 | $511 | $147,776 | 5 | Oscilloscope Laboratories |
| 21 | Tag (2018) | $13,810 | -77% | 42 | -31 | $329 | $54,542,061 | 13 | Warner Bros. |
| 22 | RBG | $13,665 | -38% | 18 | -7 | $759 | $13,986,247 | 19 | Magnolia Pictures |
| 23 | John McEnroe: In The Realm Of Perfection | $11,250 | -57% | 12 | -9 | $938 | $73,650 | 3 | Oscilloscope Laboratories |
| 24 | Cynthia | $11,022 | -64% | 11 | -10 | $1,002 | $52,728 | 2 | Indican Pictures |
| 25 | The Apparition | $9,830 | — | 7 | — | $1,404 | $9,830 | 1 | Music Box Films |
| 26 | Andrei Rublev | $9,204 | -43% | 4 | 1 | $2,301 | $53,004 | 3 | Janus |
| 27 | The Cakemaker | $9,112 | -41% | 14 | -3 | $651 | $804,724 | 11 | Strand Releasing |
| 28 | I Am Not a Witch | $8,252 | — | 2 | — | $4,126 | $12,191 | 1 | Film Movement |
| 29 | Deadpool 2 | $7,316 | -78% | 37 | -31 | $198 | $318,465,878 | 17 | Fox |
| 30 | Skate Kitchen | $6,423 | -55% | 16 | -17 | $401 | $219,457 | 5 | Magnolia |
| 31 | Support The Girls | $6,346 | -66% | 15 | -11 | $423 | $116,987 | 3 | Magnolia Pictures |
| 32 | Far From The Tree | $5,938 | -4% | 6 | -4 | $990 | $153,440 | 8 | IFC Films / Sundance Selects |
| 33 | The Night Is Short, Walk On Girl | $5,534 | -34% | 4 | -2 | $1,384 | $390,957 | 3 | GKIDS |
| 34 | Memoir of War | $5,253 | -55% | 5 | -5 | $1,051 | $73,247 | 4 | Music Box Films |
| 35 | Yellow Submarine (2018 re-release) | $4,216 | — | 4 | — | $1,054 | $963,964 | 10 | Abramorama |
| 36 | The Captain | $3,803 | -30% | 5 | -3 | $761 | $100,358 | 7 | Music Box Films |
| 37 | Don’t Worry, He Won’t Get Far on Foot | $3,460 | 6% | 9 | -1 | $384 | $1,439,175 | 9 | Amazon Studios |
| 38 | The Rider | $3,330 | 1157% | 5 | 3 | $666 | $2,385,711 | 22 | Sony Pictures Classics |
| 39 | Nico, 1988 | $3,011 | -54% | 6 | -6 | $502 | $68,107 | 6 | Magnolia Pictures |
| 40 | A Paris Education | $2,267 | -35% | 1 | 0 | $2,267 | $10,635 | 2 | Kino Lorber |
| 41 | The Atomic Cafe | $2,003 | 496% | 2 | 1 | $1,002 | $18,929 | 6 | Kino Lorber |
| 42 | Whitney | $1,936 | 30% | 5 | -4 | $387 | $3,023,034 | 10 | Roadside Attractions |
| 43 | Nelly | $1,304 | — | 1 | — | $1,304 | $1,304 | 1 | Cinema Libre |
| 44 | Le Corbeau (2018 Re-Release) | $1,180 | — | 1 | — | $1,180 | $36,089 | 21 | Rialto Pictures |
| 45 | Love, Cecil | $759 | — | 2 | — | $380 | $103,259 | 11 | Zeitgeist Films |
| 46 | Custody | $566 | 1351% | 1 | 0 | $566 | $81,365 | 11 | Kino Lorber |
| 47 | 93Queen | $432 | — | 1 | — | $432 | $66,163 | 7 | Abramorama |
| 48 | Running for Grace | $412 | -38% | 1 | -2 | $412 | $89,118 | 8 | Blue Fox Entertainment |
| 49 | The Doctor From India | $360 | — | 1 | — | $360 | $64,392 | 21 | Kino LorberZeitgeist Films |
| 50 | Wanda | $323 | -83% | 1 | -1 | $323 | $51,560 | 8 | Janus Films |
| 51 | The Third Murder | $288 | -71% | 2 | -2 | $144 | $81,675 | 8 | Film Movement |
| 52 | Generation Wealth | $246 | 224% | 3 | 1 | $82 | $235,179 | 8 | Amazon Studios / Magnolia Pictures |
| 53 | Poor Boy | $142 | 0% | 1 | 0 | $142 | $28,819 | 9 | Indican Pictures |
Sunday’s Studio Weekend Estimates (Domestic)
FRI, SEP. 7 – SUN, SEP. 9
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | The Nun | $53,500,000 | — | 3,876 | — | $13,803 | $53,500,000 | 1 | Warner Bros. |
| 2 | Crazy Rich Asians | $13,600,000 | -38% | 3,865 | 0 | $3,519 | $136,222,165 | 4 | Warner Bros. |
| 3 | Peppermint | $13,263,000 | — | 2,980 | — | $4,451 | $13,263,000 | 1 | STX Entertainment |
| 4 | The Meg | $6,030,000 | -43% | 3,511 | -250 | $1,717 | $131,572,774 | 5 | Warner Bros. |
| 5 | Searching | $4,515,000 | -26% | 2,009 | 802 | $2,247 | $14,311,130 | 3 | Sony Pictures |
| 6 | Mission: Impossible – Fallout | $3,800,000 | -46% | 2,334 | -305 | $1,628 | $212,116,767 | 7 | Paramount |
| 7 | Disney’s Christopher Robin | $3,196,000 | -39% | 2,518 | -407 | $1,269 | $91,725,090 | 6 | Disney |
| 8 | Operation Finale | $3,043,000 | -49% | 1,818 | 0 | $1,674 | $14,107,446 | 2 | MGM |
| 9 | Alpha | $2,505,000 | -45% | 2,521 | -360 | $994 | $32,447,518 | 4 | Sony / Columbia |
| 10 | BlacKkKlansman | $1,565,000 | -63% | 1,547 | -219 | $1,012 | $42,453,530 | 5 | Focus Features |
| 11 | God Bless the Broken Road | $1,562,000 | — | 1,235 | — | $1,265 | $1,562,000 | 1 | Freestyle Releasing |
| 12 | Incredibles 2 | $1,284,000 | -62% | 1,446 | -1444 | $888 | $604,397,505 | 13 | Disney |
| 13 | Mile 22 | $1,210,000 | -68% | 1,802 | -1148 | $671 | $35,115,146 | 4 | STX Entertainment |
| 14 | The Happytime Murders | $1,090,000 | -75% | 1,839 | -1417 | $593 | $20,035,427 | 3 | STX Entertainment |
| 15 | Hotel Transylvania 3: Summer Vacation | $1,085,000 | -49% | 1,012 | -409 | $1,072 | $164,196,613 | 11 | Sony / Columbia |
| 16 | Kin (2018) | $830,000 | -73% | 2,141 | 0 | $388 | $5,343,611 | 2 | Lionsgate / Summit |
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | Slender Man | $840,000 | -54% | 983 | -551 | $855 | $29,694,082 | 5 | Sony / Screen Gems |
| 2 | Ya Veremos | $770,000 | -57% | 369 | 0 | $2,087 | $3,315,037 | 2 | Lionsgate / Pantelion Films |
| 3 | The Wife | $712,970 | 37% | 153 | 75 | $4,660 | $2,037,257 | 4 | Sony Pictures Classics |
| 4 | Ant-Man and the Wasp | $608,000 | -57% | 548 | -282 | $1,109 | $214,811,201 | 10 | Disney |
| 5 | The Equalizer 2 | $500,000 | -66% | 646 | -830 | $774 | $101,586,758 | 8 | Sony / Columbia |
| 6 | A.X.L. | $286,436 | -79% | 555 | -1155 | $516 | $6,225,031 | 3 | Global Road Entertainment |
| 7 | Eighth Grade | $182,000 | -32% | 176 | -51 | $1,034 | $13,281,647 | 9 | A24 |
| 8 | Three Identical Strangers | $155,000 | -38% | 132 | -38 | $1,174 | $11,912,946 | 11 | Neon |
| 9 | Puzzle | $121,010 | -36% | 131 | -82 | $924 | $1,821,605 | 7 | Sony Pictures Classics |
| 10 | The Spy Who Dumped Me | $100,000 | -73% | 207 | -253 | $483 | $33,319,790 | 6 | Lionsgate |
| 11 | The Little Stranger | $65,000 | -84% | 477 | 3 | $136 | $678,058 | 2 | Focus Features |
| 12 | Papillon | $56,039 | -85% | 117 | -422 | $479 | $2,282,063 | 3 | Bleecker Street |
| # | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
|---|---|---|---|---|---|---|---|---|---|
| 1 | Sorry To Bother You | $83,440 | -70% | 72 | -433 | $1,159 | $17,247,424 | 10 | Annapurna Pictures |
| 2 | We The Animals | $54,233 | 33% | 42 | 23 | $1,291 | $284,575 | 4 | The Orchard |
| 3 | Leave No Trace | $45,150 | -18% | 94 | -4 | $480 | $5,921,873 | 11 | Bleeker Street |
| 4 | Uncle Drew | $39,100 | -38% | 79 | -13 | $495 | $42,459,689 | 11 | Lionsgate / Summit |
| 5 | Blindspotting | $37,000 | -41% | 44 | -35 | $841 | $4,313,425 | 8 | Lionsgate / Summit |
| 6 | Kusama – Infinity | $30,400 | — | 2 | — | $15,200 | $30,400 | 1 | Magnolia Pictures |
| 7 | Solo: A Star Wars Story | $24,000 | -60% | 62 | -28 | $387 | $213,740,869 | 16 | Disney |
| 8 | Beautifully Broken | $21,602 | -88% | 50 | -311 | $432 | $1,171,576 | 3 | ArtAffects Entertainment |
| 9 | McQueen | $19,899 | -25% | 15 | -2 | $1,327 | $1,207,916 | 8 | Bleecker Street |
| 10 | Avengers: Infinity War | $19,000 | -68% | 60 | -32 | $317 | $678,807,703 | 20 | Disney |
| 11 | Death of a Nation | $15,000 | -85% | 58 | -195 | $259 | $5,858,418 | 6 | Quality Flix / Pure Flix |
| 12 | Bisbee ’17 | $6,650 | — | 1 | — | $6,650 | $9,062 | 1 | 4th Row Films |
| 13 | Hal | $5,150 | — | 1 | — | $5,150 | $5,150 | 1 | Oscilloscope Laboratories |
| 14 | Active Measures | $2,253 | -76% | 1 | -1 | $2,253 | $22,115 | 2 | Super LTD / Neon |
| 15 | Nelly | $1,500 | — | 1 | — | $1,500 | $1,500 | 1 | Cinema Libre |
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