Wednesday Update: On the first year since 2006 where July 4 fell on a Tuesday, Despicable Me 3 and their inescapable band of minions led the box office with $72.4 million for the three-day, $99.0 million when factoring Monday and Tuesday into the weekend.
While less than the openings for Despicable Me 2 and Minions, it still represents a good start and the best animated opening since last summer’s The Secret Life of Pets. DM3 also broke the record for most theaters simultaneously showing a single film, beating the seven-year record held by Eclipse.
Sony’s Baby Driver took second place with $20.5 million, or $29.9 million for the five-day, on the strength of its status as one of the best-reviewed films of the year. This is also a much-needed win for Sony, which had arguably lacked a real box office hit in all of 2017.
Warner Bros.’ The House came in below its already-low tracking, debuting outside the top five completely with a sixth place start of $8.7 million, or $11.9 million for the five-day. It’s the lowest debut for a Will Ferrell wide release, despite his claim as one of the most bankable comedy stars of the 21st century.
Fuller analysis is below, followed by the table of weekend actuals at bottom.
Sunday Update: The most successful animated franchise since Shrek continued this weekend, as Despicable Me 3‘s yellow minions saw green with $75.4 million. In the process, the film broke the record held since 2010 for highest theater count. Among other openers, Baby Driver beat most expectations, while The House opened lower than most expectations.
Universal’s animated DM3, starring the voices of Steve Carell and Kristen Wiig, boasts the highest-grossing animated weekend since The Secret Life of Pets last summer. It merited an “A” average CinemaScore from an audience that was exactly 50-50 male/female and comprising 69 percent families.
“We’re the highest-grossing animated film of the year, and we anticipate we’ll probably stay #1 as the biggest opening film of 2017 for quite some time,” Universal’s President of Domestic Distribution Nick Carpou tells Boxoffice in an interview. “It’s an indicator that the public really anticipated this, which is a testament to expectations and tremendous marketing. We couldn’t be happier, for what it is and what it represents.”
Actually, Universal could be at least a little happier, since this installment does represent a financial downturn for the franchise, starting 9.7 percent behind Despicable Me 2 and a sharper 38.4 percent behind spinoff Minions. However, that comparison might be slightly unfair because this year’s extended Independence Day weekend means much of the film’s audience will attend on Monday and Tuesday, rather than just Friday through Sunday.
After adding in Monday and Tuesday’s grosses, DM3‘s “full weekend” grosses could match or exceed DM2. Still, there’s though there’s no chance it will match the opening of Minions, even with two “extra” days in its opening weekend.
Playing at 4,529 theaters, DM3 also sets a new record for most theaters at which a single film has simultaneously shown. The former seven-year record of 4,468 theaters was set in summer 2010 by Eclipse, the third installment in the Twilight series.
Not only was DM3 expected to be a cash cow during an extended weekend anyway while previous installment Minions had opened in a huge 4,311 theaters two years ago, but several other releases from the past month have financially underperformed and thus allowed more theater space for DM3 than might have been expected a month ago. The Mummy left 1,220 theaters this weekend, Cars 3 left 680, Captain Underpants left 876, and Pirates of the Caribbean: Dead Men Tell No Tales left 779.
To clarify, theater count is not the same thing as screen count, since a film can play on multiple screens at an individual location or multiplex. While DM3‘s screen count isn’t yet known, it’s almost certain that it didn’t overtake Star Wars: The Force Awakens with an estimated 14,400 screens. (Even though Force played in fewer actual theater locations.)
Sony/TriStar’s action thriller Baby Driver pushed the pedal to the metal with $21.0 million and second place. That ranking became more likely as tracking pick up recently pre-release, but was considered highly unlikely when the film was initially greenlit for an Independence Day weekend release against seemingly-stiff competition and with the unproven Ansel Elgort in the title role. As recently as Thursday, Sony’s own projections were for a mid-teens opening over the five-day.
Co-starring Kevin Spacey and Jamie Foxx, the film opened early on Wednesday of last week and was the highest grosser of both Wednesday and Thursday. Though those two days surely diminished the opening weekend somewhat, the film nonetheless rode its wave of fantastic reviews and word of mouth, including a phenomenal 97 percent score on Rotten Tomatoes.
With an opening comparable to other recent $100+ million hits such as Now You See Me and Kingsman: The Secret Service, in combination with its great word of mouth and comparatively few adult-centric offerings this summer until Dunkirk in late July, look for this to continue well in the weeks ahead.
Warner Bros.’ R-rated comedy The House had a shaky foundation, as the house collapsed with a $9.0 million start in sixth place. Despite the star power of Will Ferrell and Amy Poehler, the film was unable to overcome negative word of mouth including a 16 percent rating on Rotten Tomatoes.
This marks the worst wide opening of Ferrell’s career since his leading man status began in 2003. It also continues this summer’s poor showings for R-rated comedies such as Rough Night and Snatched. House does start slightly higher than some other recent R-rated comedies like Keeping Up with the Joneses and Rough Night, though that’s not saying much.
[Read our interview with The House director Andrew Jay Cohen here.]
Elsewhere at the box office, last weekend’s leader Transformers: The Last Knight took third place with $17.0 million, Wonder Woman continues to experience the mildest declines of any superhero film in recent memory with a mere 37 percent drop to $15.5 million and fourth place, The Beguiled started decently in limited release, and The Big Sick started fantastically in platform release.
The top 10 films this weekend earned an estimated $161,172,275 total. That’s 23.9 percent above last weekend, 9.0 percent below the equivalent weekend last year, and 10.2 percent behind Independence Day weekend last year.
Overseas Update:
Two films utterly commanded the international markets.
Despicable Me 3 earned $95.6 million, after opening early last weekend in a few markets ahead of its domestic release. With a $171.0 million total global weekend, the film has earned $116.9 million overseas and $192.3 million globally to date. And that’s before several major markets including China have yet to open.
“Even though it wasn’t a holiday weekend anywhere else, we often had 70-75 percent market share overseas,” Universal’s President of International Distribution Duncan Clark tells Boxoffice in an interview. “Great work was done by our local marketing teams getting these movies adapted for local consumption. Plus China and Germany and France are coming this weekend, with Japan and Korea coming in July.”
Transformers: The Last Knight, after leading the overseas box office for the past two frames, fell 66 percent to a $68 million overseas weekend. The movie has earned $327.8 million overseas and $429.9 million globally, helping ease much of the sting from being by far the lowest-performing of the five entries in the franchise domestically.
5-Day Weekend Actuals for top films, Friday, June 30 – Tuesday, July 4, 2017:
Rank | Title | 5-Day Weekend Gross | Theaters | Average | Total Gross | Week # | Studio |
1 | Despicable Me 3 | $99,020,280 | 4,259 | $23,250 | $99,020,280 | 1 | Universal |
2 | Baby Driver | $29,974,822 | 3,226 | $9,292 | $39,003,927 | 1 | Sony |
3 | Wonder Woman | $24,072,825 | 3,403 | $7,074 | $354,602,300 | 5 | Warner Bros. |
4 | Transformers: The Last Knight | $24,054,844 | 4,132 | $5,822 | $109,158,195 | 2 | Paramount |
5 | Cars 3 | $14,160,696 | 3,576 | $3,960 | $125,350,795 | 3 | Disney |
6 | The House | $11,905,080 | 3,134 | $3,799 | $11,905,080 | 1 | Warner Bros. |
7 | 47 Meters Down | $5,396,301 | 2,250 | $2,398 | $34,350,297 | 3 | Entertainment Pictures |
8 | The Mummy (2017) | $4,427,025 | 1,760 | $2,515 | $76,143,865 | 4 | Universal |
9 | The Beguiled (2017) | $4,388,547 | 674 | $6,511 | $4,707,995 | 2 | Focus Features |
10 | Pirates of the Caribbean: Dead Men Tell No Tales | $3,844,235 | 1,674 | $2,296 | $166,899,822 | 6 | Disney |
11 | All Eyez on Me | $2,506,519 | 1,258 | $1,992 | $43,358,982 | 3 | Lionsgate/Summit |
12 | Guardians of the Galaxy Vol. 2 | $2,418,111 | 966 | $2,503 | $384,262,086 | 9 | Disney |
13 | The Big Sick | $2,417,398 | 71 | $34,048 | $2,973,388 | 2 | Lionsgate |
14 | Rough Night | $1,821,499 | 1,657 | $1,099 | $20,887,146 | 3 | Sony |
15 | Captain Underpants: The First Epic Movie | $1,652,481 | 1,452 | $1,138 | $69,798,274 | 5 | Fox |
3-Day Weekend Actuals for Friday, June 30 – Sunday, July 2, 2017:
# | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
---|---|---|---|---|---|---|---|---|---|
1 | Despicable Me 3 | $72,434,025 | — | 4,529 | — | $15,993 | $72,434,025 | 1 | Universal |
2 | Baby Driver | $20,553,320 | — | 3,226 | — | $6,371 | $29,582,425 | 1 | Sony / TriStar |
3 | Transformers: The Last Knight | $16,880,555 | -62% | 4,132 | 63 | $4,085 | $101,983,906 | 2 | Paramount |
4 | Wonder Woman | $15,706,011 | -37% | 3,404 | -529 | $4,614 | $346,235,486 | 5 | Warner Bros. |
5 | Cars 3 | $9,689,279 | -60% | 3,576 | -680 | $2,710 | $120,879,378 | 3 | Disney |
6 | The House (2017) | $9,132,450 | — | 3,134 | — | $2,914 | $9,132,450 | 1 | Warner Bros. / New Line |
7 | 47 Meters Down | $4,517,143 | -36% | 2,250 | -221 | $2,008 | $32,426,597 | 3 | Entertainment Studios Motion Pictures |
8 | The Mummy | $3,013,395 | -50% | 1,760 | -1220 | $1,712 | $74,730,235 | 4 | Universal |
9 | Pirates of the Caribbean: Dead Men Tell No Tales | $2,525,546 | -53% | 1,674 | -779 | $1,509 | $165,581,133 | 6 | Disney |
10 | All Eyez On Me | $1,824,631 | -69% | 1,258 | -1213 | $1,450 | $42,677,094 | 3 | Lionsgate / Summit |
11 | Rough Night | $1,275,124 | -73% | 1,657 | -1505 | $770 | $20,340,771 | 3 | Sony |
12 | Captain Underpants | $1,114,612 | -74% | 1,452 | -876 | $768 | $69,260,405 | 5 | Fox / DreamWorks Animation |
# | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
---|---|---|---|---|---|---|---|---|---|
1 | The Beguiled | $3,163,472 | 1280% | 674 | 670 | $4,694 | $3,482,920 | 2 | Focus Features |
2 | Guardians of the Galaxy Vol. 2 | $1,539,519 | -49% | 966 | -502 | $1,594 | $383,383,494 | 9 | Disney |
3 | Beatriz at Dinner | $1,057,021 | -40% | 683 | 192 | $1,548 | $4,711,505 | 4 | Roadside Attractions |
4 | The Hero | $839,239 | 182% | 401 | 320 | $2,093 | $1,520,586 | 4 | The Orchard |
5 | Megan Leavey | $484,110 | -60% | 433 | -538 | $1,118 | $11,807,237 | 4 | Bleeker Street |
6 | The Book Of Henry | $270,145 | -72% | 363 | -283 | $744 | $3,870,052 | 3 | Focus Features |
7 | Paris Can Wait | $263,580 | -54% | 214 | -194 | $1,232 | $4,704,374 | 8 | Sony Pictures Classics |
8 | Baywatch | $248,335 | -67% | 196 | -284 | $1,267 | $57,271,082 | 6 | Paramount |
9 | The Boss Baby | $220,587 | -33% | 215 | -26 | $1,026 | $173,531,392 | 14 | Fox / DreamWorks Animation |
10 | Alien: Covenant | $172,131 | -50% | 213 | -81 | $808 | $73,653,439 | 7 | Fox |
11 | The Fate of the Furious | $159,825 | 10% | 144 | -15 | $1,110 | $225,450,695 | 12 | Universal |
12 | It Comes At Night | $150,698 | -81% | 174 | -645 | $866 | $13,536,228 | 4 | A24 |
13 | King Arthur: Legend Of The Sword | $120,185 | 34% | 172 | 39 | $699 | $38,851,518 | 8 | Warner Bros. |
14 | Beauty and the Beast | $77,493 | -48% | 156 | -35 | $497 | $503,860,035 | 16 | Disney |
15 | Snatched | $75,173 | -32% | 143 | -30 | $526 | $45,719,421 | 8 | Fox |
16 | Diary of a Wimpy Kid: The Long Haul | $68,212 | -35% | 135 | -25 | $505 | $20,478,702 | 7 | 20th Century Fox |
17 | Smurfs: The Lost Village | $47,561 | -34% | 103 | -18 | $462 | $44,820,941 | 13 | Sony / Columbia |
# | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
---|---|---|---|---|---|---|---|---|---|
1 | The Big Sick | $1,651,958 | 292% | 71 | 66 | $23,267 | $2,208,448 | 2 | Lionsgate |
2 | Maudie | $102,714 | 16% | 23 | -5 | $4,466 | $2,934,974 | 3 | Sony Pictures Classics |
3 | The Exception | $89,848 | -30% | 48 | 0 | $1,872 | $380,998 | 5 | A24 |
4 | The Women’s Balcony | $66,223 | -29% | 28 | -6 | $2,365 | $740,929 | 18 | Menemsha Films |
5 | My Cousin Rachel | $55,216 | -72% | 61 | -102 | $905 | $2,585,037 | 4 | Fox Searchlight |
6 | Reset (Ni Shi Ying Jiu) | $54,276 | — | 20 | — | $2,714 | $54,276 | 1 | Well Go USA |
7 | Gifted | $41,403 | -25% | 56 | -20 | $739 | $24,600,750 | 13 | Fox Searchlight |
8 | Everything, Everything | $40,326 | -74% | 88 | -89 | $458 | $33,718,252 | 7 | Warner Bros. |
9 | Going in Style | $37,445 | -44% | 77 | -46 | $486 | $44,944,380 | 13 | Warner Bros. / New Line |
10 | The Lost City of Z | $26,639 | 158% | 50 | 40 | $533 | $8,512,896 | 12 | Amazon Studios / Bleecker Street |
11 | The Bad Batch | $25,344 | -72% | 46 | 16 | $551 | $144,418 | 2 | Neon |
12 | Letters from Baghdad | $19,518 | -40% | 20 | 2 | $976 | $171,438 | 5 | Vitagraph Films |
13 | Marie Curie: The Courage of Knowledge | $18,212 | — | 6 | — | $3,035 | $18,212 | 1 | Society Films |
14 | Moka | $14,695 | 4% | 3 | -4 | $4,898 | $49,720 | 3 | Film Movement |
15 | The B-Side: Elsa Dorfman’s Portrait Photography | $12,035 | — | 3 | — | $4,012 | $12,035 | 1 | Neon |
16 | 13 Minutes | $11,750 | — | 3 | — | $3,917 | $11,750 | 1 | Sony Pictures Classics |
17 | Born in China | $11,395 | -63% | 43 | -22 | $265 | $13,861,554 | 11 | Disneynature |
18 | Norman: The Moderate Rise and Tragic Fall of a New York Fixer | $8,961 | -39% | 33 | 9 | $272 | $3,781,893 | 12 | Sony Pictures Classics |
19 | The Wedding Plan | $8,174 | -71% | 18 | -16 | $454 | $1,372,194 | 8 | Roadside Attractions |
20 | Your Name. | $7,505 | -20% | 9 | 0 | $834 | $5,000,181 | 13 | FUNimation Entertainment |
21 | Love, Kennedy | $7,411 | -33% | 7 | -3 | $1,059 | $224,954 | 5 | Purdie Distribution |
22 | The Ornithologist | $7,365 | 20% | 5 | 3 | $1,473 | $18,012 | 2 | Strand Releasing |
23 | Le Trou | $6,756 | — | 1 | — | $6,756 | $8,950 | 1 | Rialto Pictures |
24 | Dawson City: Frozen Time | $6,656 | -36% | 6 | 0 | $1,109 | $59,266 | 4 | Kino Lorber Films |
25 | The Lovers | $5,480 | -21% | 10 | -5 | $548 | $2,179,191 | 9 | A24 |
26 | Stalker | $5,211 | -34% | 3 | -1 | $1,737 | $206,888 | 9 | Janus |
27 | Obit. | $4,637 | -44% | 10 | 0 | $464 | $295,309 | 10 | Kino Lorber |
28 | A Quiet Passion | $4,242 | -80% | 7 | -27 | $606 | $1,855,666 | 12 | Music Box Films |
29 | Il Boom | $3,744 | -42% | 1 | 0 | $3,744 | $29,006 | 3 | Rialto Pictures |
30 | In Pursuit of Silence | $3,624 | -30% | 1 | 0 | $3,624 | $10,569 | 2 | Cinema Guild |
31 | Pop Aye | $3,598 | — | 1 | — | $3,598 | $12,300 | 1 | Kino Lorber |
32 | Manifesto | $3,577 | -73% | 6 | -4 | $596 | $120,946 | 8 | FilmRise |
33 | Logan | $3,208 | -44% | 11 | -11 | $292 | $226,273,160 | 18 | Fox |
34 | All the Rage (Saved by Sarno) | $2,910 | -70% | 1 | 0 | $2,910 | $15,926 | 2 | The Film Collaborative |
35 | Like Crazy | $1,823 | 32% | 5 | 2 | $365 | $104,383 | 9 | Strand Releasing |
36 | Colossal | $1,783 | 369% | 4 | -3 | $446 | $3,027,086 | 13 | Neon |
37 | The Death of Louis XIV | $1,417 | — | 1 | — | $1,417 | $41,938 | 14 | Cinema Guild |
38 | Slack Bay | $1,282 | 29% | 3 | -3 | $427 | $57,773 | 11 | Kino Lorber Films |
39 | Starless Dreams | $1,161 | — | 1 | — | $1,161 | $5,937 | 24 | Cinema Guild |
40 | Donnie Darko (15th Anniversary Re-Release) | $1,132 | — | 1 | — | $1,132 | $202,279 | 14 | Arrow Films |
41 | The Skyjacker’s Tale | $1,097 | — | 1 | — | $1,097 | $1,097 | 1 | Strand Releasing |
42 | Risk | $756 | 68% | 2 | 1 | $378 | $200,075 | 9 | Neon |
43 | Harmonium | $665 | -77% | 1 | -2 | $665 | $10,267 | 3 | Film Movement |
44 | Hermia & Helena | $558 | — | 2 | — | $279 | $35,371 | 6 | Kino Lorber |
45 | Afterimage | $496 | 147% | 1 | 0 | $496 | $30,589 | 7 | Film Movement |
46 | Buster’s Mal Heart | $444 | 72% | 1 | 0 | $444 | $72,082 | 10 | Well Go USA |
47 | 2:22 | $294 | — | 1 | — | $294 | $294 | 1 | Magnolia Pictures |
48 | Glory | $252 | 3% | 1 | 0 | $252 | $17,945 | 12 | Film Movement |
49 | Scum | $175 | -66% | 1 | 0 | $175 | $3,936 | 3 | Kino Lorber |
50 | Soul on a String | $74 | — | 1 | — | $74 | $3,629 | 7 | Film Movement |
51 | Champion | $64 | -98% | 1 | -3 | $64 | $174,978 | 7 | ArtAffects Entertainment |
Studio 3-Day Weekend Estimates for Friday, June 30 – Sunday, July 2, 2017:
# | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
---|---|---|---|---|---|---|---|---|---|
1 | Despicable Me 3 | $75,410,275 | — | 4,529 | — | $16,651 | $75,410,275 | 1 | Universal |
2 | Baby Driver | $21,000,000 | — | 3,226 | — | $6,510 | $30,029,105 | 1 | Sony / TriStar |
3 | Transformers: The Last Knight | $17,000,000 | -62% | 4,132 | 63 | $4,114 | $102,103,351 | 2 | Paramount |
4 | Wonder Woman | $15,575,000 | -37% | 3,404 | -529 | $4,575 | $346,104,475 | 5 | Warner Bros. |
5 | Cars 3 | $9,524,000 | -60% | 3,576 | -680 | $2,663 | $120,714,099 | 3 | Disney |
6 | The House (2017) | $9,000,000 | — | 3,134 | — | $2,872 | $9,000,000 | 1 | Warner Bros. / New Line |
7 | 47 Meters Down | $4,682,000 | -34% | 2,250 | -221 | $2,081 | $32,591,454 | 3 | Entertainment Studios Motion Pictures |
8 | The Mummy | $2,785,260 | -54% | 1,760 | -1220 | $1,583 | $74,502,100 | 4 | Universal |
9 | Pirates of the Caribbean: Dead Men Tell No Tales | $2,411,000 | -55% | 1,674 | -779 | $1,440 | $165,466,587 | 6 | Disney |
10 | All Eyez On Me | $1,880,000 | -68% | 1,258 | -1213 | $1,494 | $42,732,463 | 3 | Lionsgate / Summit |
11 | Captain Underpants | $1,225,000 | -71% | 1,452 | -876 | $844 | $69,370,793 | 5 | Fox / DreamWorks Animation |
# | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
---|---|---|---|---|---|---|---|---|---|
1 | The Beguiled | $3,259,740 | 1322% | 674 | 670 | $4,836 | $3,579,188 | 2 | Focus Features |
2 | Guardians of the Galaxy Vol. 2 | $1,430,000 | -53% | 966 | -502 | $1,480 | $383,273,975 | 9 | Disney |
3 | Beatriz at Dinner | $1,119,380 | -36% | 683 | 192 | $1,639 | $4,773,864 | 4 | Roadside Attractions |
4 | The Hero | $920,315 | 209% | 401 | 320 | $2,295 | $1,601,662 | 4 | The Orchard |
5 | Megan Leavey | $441,376 | -64% | 433 | -538 | $1,019 | $11,764,503 | 4 | Bleeker Street |
6 | The Book Of Henry | $270,545 | -71% | 363 | -283 | $745 | $3,870,452 | 3 | Focus Features |
7 | Paris Can Wait | $269,498 | -53% | 214 | -194 | $1,259 | $4,710,292 | 8 | Sony Pictures Classics |
8 | The Boss Baby | $230,000 | -30% | 215 | -26 | $1,070 | $173,540,805 | 14 | Fox / DreamWorks Animation |
9 | Baywatch | $225,000 | -70% | 196 | -284 | $1,148 | $57,247,747 | 6 | Paramount |
10 | Alien: Covenant | $175,000 | -49% | 213 | -81 | $822 | $73,656,308 | 7 | Fox |
11 | It Comes At Night | $161,790 | -80% | 174 | -645 | $930 | $13,547,320 | 4 | A24 |
12 | The Fate of the Furious | $139,030 | -4% | 144 | -15 | $965 | $225,429,900 | 12 | Universal |
13 | Beauty and the Beast | $79,000 | -47% | 156 | -35 | $506 | $503,861,542 | 16 | Disney |
# | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
---|---|---|---|---|---|---|---|---|---|
1 | The Big Sick | $1,672,200 | 297% | 71 | 66 | $23,552 | $2,228,690 | 2 | Lionsgate |
2 | The Exception | $101,904 | -20% | 48 | 0 | $2,123 | $393,054 | 5 | A24 |
3 | Maudie | $98,581 | 11% | 32 | 4 | $3,081 | $2,930,841 | 3 | Sony Pictures Classics |
4 | The Little Hours | $61,560 | — | 2 | — | $30,780 | $61,560 | 1 | Gunpowder & Sky |
5 | My Cousin Rachel | $55,000 | -72% | 61 | -102 | $902 | $2,584,821 | 4 | Fox Searchlight |
6 | Churchill | $29,745 | -58% | 26 | -29 | $1,144 | $1,181,463 | 5 | Cohen Media Group |
7 | The Bad Batch | $27,736 | -69% | 46 | 16 | $603 | $146,810 | 2 | Neon |
8 | Score: A Film Music Documentary | $20,698 | — | 2 | — | $10,349 | $35,786 | 3 | Gravitas Ventures |
9 | Marie Curie: The Courage of Knowledge | $18,212 | — | 6 | — | $3,035 | $18,212 | 1 | Big World Pictures |
10 | Chasing Trane: The John Coltrane Documentary | $14,762 | -24% | 7 | 0 | $2,109 | $363,031 | 12 | Abramorama |
11 | 13 Minutes | $12,612 | — | 3 | — | $4,204 | $12,612 | 1 | Sony Pictures Classics |
12 | The B-Side: Elsa Dorfman’s Portrait Photography | $12,078 | — | 3 | — | $4,026 | $12,078 | 1 | Neon |
13 | Born in China | $11,000 | -64% | 43 | -22 | $256 | $13,861,159 | 11 | Disneynature |
14 | Love, Kennedy | $7,346 | -34% | 8 | -2 | $918 | $224,889 | 5 | Purdie Distribution |
15 | Maurice (2017 re-release) | $4,084 | 57% | 4 | 1 | $1,021 | $45,926 | 7 | Cohen Media Group |
16 | Manifesto | $3,000 | -78% | 6 | -4 | $500 | $120,369 | 8 | FilmRise |
17 | Food Evolution | $2,744 | -4% | 2 | 1 | $1,372 | $7,057 | 2 | Abramorama |
18 | Colossal | $1,831 | 382% | 4 | -3 | $458 | $3,027,134 | 13 | Neon |
19 | Restless Creature: Wendy Whelan | $1,534 | -76% | 2 | -3 | $767 | $129,143 | 6 | Abramorama |
20 | Hare Krishna! | $1,011 | -87% | 2 | 0 | $506 | $43,430 | 3 | Abramorama |
21 | Risk | $756 | 68% | 2 | 1 | $378 | $756 | 9 | Neon |
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