Monday Update: On Super Bowl weekend, often one of the slowest box office weekends of the year, Universal’s horror sequel Glass won for the third frame.
The film declined -49% to $9.5M, and is now running -10% behind predecessor film Split despite starting with a higher opening weekend and week.
Sony’s action drama Miss Bala began in third place with $6.8M, on the lower end of pre-release expectations.
Warner Bros.’ documentary They Shall Not Grow Old earned $2.4M and 10th place on its wide opening weekend.
Sony’s animated Spider-Man: Into the Spider-Verse spent an eighth weekend in the top five, coming in 5th place with $4.5M. It’s the first film to achieve the feat since Black Panther last April.
Comparisons
Total box office this weekend was $73.3M.
That’s -29.1% below last weekend and -22.8% behind this same weekend last year, when Jumanji: Welcome to the Jungle led with $10.9M.
Year-to-date box office stands at $882.9M. That’s -15.8% behind this same date last year, down from -12.3% after last weekend.
Demographics
The audience for Miss Bala in its opening weekend on top was 50.5% male and 32.6% under age 25.
Among films in this weekend’s top 10, audience demographics by Vertigo for They Shall Not Grow Old were not yet available.
The most male audience in this weekend’s top 10 was Spider-Man: Into the Spider-Verse at 64.9%, while the most female audience was Escape Room at 54.3%.
The most under-25 audience in this weekend’s top 10 was Spider-Man: Into the Spider-Verse at 57.0%, while the most over-25 audience was Green Book at 93.4%.
A full demographic breakdown of the top 30 movies this weekend, courtesy of BoxofficeProfile by Vertigo, is below:
Weekend Actuals (Domestic)
FRI, FEB. 1 – SUN, FEB. 3
# | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
---|---|---|---|---|---|---|---|---|---|
1 | Glass | $9,548,795 | -49% | 3,665 | -179 | $2,605 | $88,668,895 | 3 | Universal |
2 | The Upside | $8,677,981 | -27% | 3,568 | 191 | $2,432 | $75,418,109 | 4 | STX Entertainment |
3 | Miss Bala | $6,864,744 | — | 2,203 | — | $3,116 | $6,864,744 | 1 | Sony Pictures |
4 | Aquaman | $4,880,138 | -33% | 2,926 | -208 | $1,668 | $323,622,378 | 8 | Warner Bros. |
5 | Spider-Man: Into the Spider-Verse | $4,548,595 | -26% | 2,234 | -149 | $2,036 | $175,424,664 | 8 | Sony / Columbia |
6 | Green Book | $4,347,485 | -21% | 2,648 | 218 | $1,642 | $55,851,816 | 12 | Universal Pictures |
7 | The Kid Who Would Be King | $4,247,454 | -41% | 3,528 | 7 | $1,204 | $13,221,130 | 2 | 20th Century Fox |
8 | A Dog’s Way Home | $3,615,488 | -29% | 2,962 | -119 | $1,221 | $36,008,359 | 4 | Sony Pictures |
9 | Escape Room | $2,917,935 | -29% | 1,942 | -250 | $1,503 | $52,107,235 | 5 | Sony Pictures |
10 | Mary Poppins Returns | $2,038,092 | -38% | 1,704 | -281 | $1,196 | $168,319,932 | 7 | Disney |
11 | Bumblebee | $1,922,859 | -36% | 1,781 | -327 | $1,080 | $124,276,047 | 7 | Paramount Pictures |
12 | Bohemian Rhapsody | $1,818,020 | -27% | 1,364 | -59 | $1,333 | $208,554,393 | 14 | 20th Century Fox |
13 | Serenity | $1,702,512 | -61% | 2,561 | 0 | $665 | $7,538,543 | 2 | Aviron Pictures |
14 | The Favourite | $1,559,950 | -39% | 1,554 | 14 | $1,004 | $28,657,555 | 11 | Fox Searchlight |
15 | Vice | $1,134,307 | -39% | 1,337 | -220 | $848 | $44,050,837 | 6 | Annapurna |
16 | The Mule | $901,162 | -47% | 1,051 | -344 | $857 | $101,729,024 | 8 | Warner Bros. |
17 | Second Act | $418,987 | 87% | 1,250 | 949 | $335 | $38,927,406 | 8 | STX Entertainment |
# | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
---|---|---|---|---|---|---|---|---|---|
1 | They Shall Not Grow Old | $2,438,575 | — | 735 | — | $3,318 | $10,778,647 | 7 | Warner Bros. |
2 | On The Basis Of Sex | $1,046,785 | -49% | 917 | -355 | $1,142 | $22,862,452 | 6 | Focus Features |
3 | Dragon Ball Super: Broly | $929,483 | -69% | 644 | -483 | $1,443 | $30,031,318 | 3 | FUNimation Entertainment |
4 | A Star is Born | $892,343 | -31% | 952 | -240 | $937 | $207,807,327 | 18 | Warner Bros. |
5 | Ralph Breaks the Internet | $760,393 | -34% | 795 | -234 | $956 | $197,055,172 | 11 | Disney |
6 | Stan & Ollie | $755,092 | -39% | 754 | 29 | $1,001 | $3,473,098 | 6 | Sony Pictures Classics |
7 | Uri: The Surgical Strike | $630,377 | 0% | 132 | 0 | $4,776 | $3,599,924 | 4 | PackYourBag Films |
8 | Ek Ladki Ko Dekha Toh Aisa Laga | $605,775 | — | 193 | — | $3,139 | $605,775 | 1 | FIP |
9 | Cold War | $525,654 | -5% | 217 | 106 | $2,422 | $2,143,599 | 7 | Amazon Studios |
10 | If Beale Street Could Talk | $486,015 | -48% | 454 | -152 | $1,071 | $13,258,433 | 8 | Annapurna |
11 | Destroyer | $252,598 | 41% | 235 | 158 | $1,075 | $1,230,226 | 6 | Annapurna Pictures |
12 | Can You Ever Forgive Me? | $189,923 | -23% | 216 | -19 | $879 | $8,350,005 | 16 | Fox Searchlight |
13 | Shoplifters | $160,978 | -17% | 139 | 1 | $1,158 | $2,780,511 | 11 | Magnolia Pictures |
14 | The Wife | $141,367 | 23% | 202 | 97 | $700 | $8,916,782 | 25 | Sony Pictures Classics |
15 | Fantastic Beasts: The Crimes of Grindelwald | $108,972 | -32% | 189 | -23 | $577 | $159,324,060 | 12 | Warner Bros. |
16 | Dr. Seuss’ The Grinch | $82,730 | -23% | 135 | -11 | $613 | $270,508,370 | 13 | Universal |
17 | Creed II | $60,870 | -32% | 105 | -25 | $580 | $115,546,040 | 11 | MGM / Warner Bros |
# | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
---|---|---|---|---|---|---|---|---|---|
1 | Capernaum | $118,114 | 114% | 47 | 27 | $2,513 | $524,218 | 8 | Sony Pictures Classics |
2 | Arctic | $50,878 | — | 4 | — | $12,720 | $50,878 | 1 | Bleecker Street |
3 | The Invisibles | $35,915 | 32% | 14 | 10 | $2,565 | $71,556 | 2 | Greenwich Entertainment |
4 | Perfect Strangers | $33,975 | -50% | 37 | -29 | $918 | $953,531 | 4 | Lionsgate / Pantelion Films |
5 | Police Story and Police Story 2 | $25,591 | — | 5 | — | $5,118 | $25,591 | 1 | Janus Films |
6 | The Possession of Hannah Grace | $22,003 | 8% | 38 | -5 | $579 | $14,802,916 | 10 | Sony / Screen Gems |
7 | Holmes and Watson | $19,396 | -36% | 54 | -27 | $359 | $30,487,368 | 7 | Sony Pictures |
8 | Ben Is Back | $19,318 | -15% | 44 | -8 | $439 | $3,665,767 | 9 | Roadside Attractions / LD Entertainment / Lionsgate |
9 | Never Look Away | $19,187 | -26% | 2 | 1 | $9,594 | $58,300 | 2 | Sony Pictures Classics |
10 | Replicas | $16,925 | -50% | 51 | -33 | $332 | $4,021,696 | 4 | Entertainment Studios Motion Pictures |
11 | Who Will Write Our History | $16,847 | -34% | 5 | 2 | $3,369 | $68,735 | 3 | Abramorama |
12 | Canal Street | $15,288 | -46% | 26 | 4 | $588 | $235,741 | 3 | Smith Global Media |
13 | Widows | $11,182 | -51% | 33 | -10 | $339 | $42,378,025 | 12 | 20th Century Fox |
14 | Hale County This Morning, This Evening | $7,933 | 28% | 8 | 4 | $992 | $79,911 | 21 | Cinema Guild |
15 | The Image Book | $7,694 | -44% | 6 | 3 | $1,282 | $47,744 | 2 | Kino Lorber Films |
16 | Daughter of Mine | $5,447 | — | 2 | — | $2,724 | $5,447 | 1 | Strand Releasing |
17 | The Wild Pear Tree | $4,923 | — | 1 | — | $4,923 | $5,905 | 1 | Cinema Guild |
18 | The Bounty Killer | $4,820 | -77% | 5 | -10 | $964 | $44,300 | 2 | Indican Pictures |
19 | The Last Resort | $4,348 | — | 1 | — | $4,348 | $30,089 | 7 | Kino Lober Films |
20 | What Is Democracy? | $3,575 | 43% | 2 | 0 | $1,788 | $25,630 | 3 | Zeitgeist Films |
21 | An Acceptable Loss | $3,394 | -75% | 14 | -11 | $242 | $30,198 | 3 | IFC Films |
22 | Burning | $2,518 | -71% | 4 | -4 | $630 | $697,992 | 15 | Well Go USA Entertainment |
23 | Becoming Astrid | $2,383 | 71% | 2 | -1 | $1,192 | $101,110 | 11 | Music Box Films |
24 | The Heiresses | $2,316 | -87% | 3 | -2 | $772 | $41,220 | 3 | Distrib Films US |
25 | Maria By Callas | $1,178 | -58% | 3 | -4 | $393 | $1,261,457 | 14 | Sony Pictures Classics |
26 | Of Fathers and Sons | $834 | 374% | 4 | 3 | $209 | $9,828 | 11 | Kino Lorber |
27 | Jihadists | $587 | -29% | 1 | 0 | $587 | $1,939 | 2 | Cinema Libre Studio |
28 | Narcissister Organ Player | $432 | — | 1 | — | $432 | $15,319 | 13 | Film Movement |
29 | I Am Not a Witch | $97 | — | 1 | — | $97 | $50,868 | 22 | Film Movement |
Sunday Update: On a typically slow Super Bowl weekend, holdovers Glass and The Upside maintained a hold on the top two slots, finishing with an estimated $9.5 million and $8.8 million, respectively. Meanwhile, the weekend’s lone wide new release Miss Bala debuted with modest results while Peter Jackson’s WWI documentary They Shall Not Grow Old had a strong showing in just 735 theaters.
Threepeating at No. 1, Universal’s Glass dropped 49%, bringing the Universal superhero thriller to $88.7 million after 17 days of release. The M. Night Shyamalan-directed threequel has been fading much more rapidly than the series’ previous installment Split, which had taken in $102.9 million at the same point in its release (it finished with $138.1 million in North America). Nonetheless, Glass should soon cross the $100 million threshold.
Just a hair behind Glass in second place was word-of-mouth hit The Upside, which brought in an estimated $8.8 million, a drop of just 26% from last weekend. After four weeks, the STX release has racked up an impressive $75.5 million, which is a fantastic total considering that it debuted with $20.3 million back in mid-January. Indeed, the Kevin Hart-Bryan Cranston dramedy has kept its weekend-to-weekend drops below 30% for the entirety of its run, indicating just how strong word-of-mouth has been.
Debuting in third place with an estimated $6.7 million was Miss Bala, the remake of the 2011 Mexican thriller of the same name that stars Gina Rodriguez as an American woman kidnapped by a Mexican drug cartel. The $15 million Sony release garnered largely negative reviews (it has a 30% on Rotten Tomatoes) and had soft social media and trailer metrics leading up to release, making it an uphill battle for the film despite the talent involved, including Twilight director Catherine Hardwicke. Nonetheless, the woman-driven plot may have made it less-susceptible to a Super Bowl Sunday dip.
Fourth place went to perennial Top 10 finisher Aquaman, which brought in an estimated $4.7 million in its seventh weekend. With $323.5 million so far, the Warner Bros. release should surpass the lifetime domestic totals of both Suicide Squad ($325.1 million) and Batman v. Superman: Dawn of Justice ($330.3 million) over the next couple of weeks.
Spider-Man: Into the Spider-Verse came in fifth place with an estimated $4.4 million, a drop of just 27% from last weekend. The animated superhero flick now has a total of $175.2 million after eight weeks of release.
Sixth place went to Universal’s Green Book, which added 216 locations this weekend and brought in an estimated $4.3 million, representing a drop of just 21% for the period drama that racked up five Oscar nominations including Best Picture two weeks ago. With a tidy $55.8 million after 12 weeks of release, the film is notable for its leggy run; indeed, this is its third-highest weekend total despite having been in release for a full three months. It’s certainly the Best Picture contender that has benefitted most from its nomination this year.
In seventh place, The Kid Who Would Be King brought in an estimated $4.2 million in its second weekend of release, a drop of 41% from its $7.1 million debut. The total for the Fox release now stands at a rather disappointing $13.1 million.
In eighth, A Dog’s Way Home brought in an estimated $3.5 million in ninth for a total of $35.9 million after four weeks, and in ninth, Escape Room tallied an estimated $2.9 million in its fifth weekend for a $52 million cume.
Rounding out the Top 10, Warner Bros.’ They Shall Not Grow Old brought in an estimated $2.4 million from 735 locations in its first weekend of formal release. That brings the total for the Peter Jackson-directed documentary – which features colorized footage of British soldiers on the western front in WWI – to $10.7 million. The film previously brought in $8.3 million from three limited-event engagements over the last several weeks.
Overseas Update:
How to Train Your Dragon: The Hidden World continued its international rollout this weekend with an estimated $40.2 million in 41 territories. The Universal release opened in 23 markets this weekend including Mexico, the UK, Korea, and Italy. It’s international tally now stands at $84.4 million ahead of its North American release on February 22.
Sunday’s Studio Weekend Estimates (Domestic)
FRI, FEB. 1 – SUN, FEB. 3
# | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
---|---|---|---|---|---|---|---|---|---|
1 | Glass | $9,540,000 | -49% | 3,665 | -179 | $2,603 | $88,660,100 | 3 | Universal |
2 | The Upside | $8,850,000 | -26% | 3,568 | 191 | $2,480 | $75,590,128 | 4 | STX Entertainment |
3 | Miss Bala | $6,700,000 | — | 2,203 | — | $3,041 | $6,700,000 | 1 | Sony Pictures |
4 | Aquaman | $4,785,000 | -34% | 2,926 | -208 | $1,635 | $323,527,240 | 8 | Warner Bros. |
5 | Spider-Man: Into the Spider-Verse | $4,410,000 | -28% | 2,234 | -149 | $1,974 | $175,286,069 | 8 | Sony / Columbia |
6 | Green Book | $4,320,000 | -21% | 2,648 | 218 | $1,631 | $55,824,331 | 12 | Universal Pictures |
7 | The Kid Who Would Be King | $4,200,000 | -41% | 3,528 | 7 | $1,190 | $13,173,676 | 2 | 20th Century Fox |
8 | A Dog’s Way Home | $3,510,000 | -31% | 2,962 | -119 | $1,185 | $35,902,871 | 4 | Sony Pictures |
9 | Escape Room | $2,900,000 | -30% | 1,942 | -250 | $1,493 | $52,089,300 | 5 | Sony Pictures |
10 | Mary Poppins Returns | $1,924,000 | -42% | 1,704 | -281 | $1,129 | $168,205,840 | 7 | Disney |
11 | Bumblebee | $1,900,000 | -36% | 1,781 | -327 | $1,067 | $124,253,188 | 7 | Paramount Pictures |
12 | Bohemian Rhapsody | $1,800,000 | -27% | 1,354 | -69 | $1,329 | $208,536,373 | 14 | 20th Century Fox |
13 | Serenity | $1,700,000 | -61% | 2,561 | 0 | $664 | $7,536,031 | 2 | Aviron Pictures |
14 | The Favourite | $1,500,000 | -41% | 1,554 | 14 | $965 | $28,597,605 | 11 | Fox Searchlight |
15 | Vice | $1,167,434 | -37% | 1,337 | -220 | $873 | $44,083,964 | 6 | Annapurna |
16 | The Mule | $947,000 | -44% | 1,051 | -344 | $901 | $101,774,862 | 8 | Warner Bros. |
17 | Second Act | $400,000 | 78% | 1,250 | 949 | $320 | $38,908,419 | 8 | STX Entertainment |
# | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
---|---|---|---|---|---|---|---|---|---|
1 | They Shall Not Grow Old | $2,405,000 | — | 735 | — | $3,272 | $2,405,000 | 7 | Warner Bros. |
2 | Free Solo | $1,387,000 | 508% | 483 | 382 | $2,872 | $14,987,020 | 19 | National Geographic Entertainment |
3 | On The Basis Of Sex | $1,020,000 | -50% | 917 | -355 | $1,112 | $22,835,667 | 6 | Focus Features |
4 | A Star is Born | $922,000 | -29% | 952 | -240 | $968 | $207,836,984 | 18 | Warner Bros. |
5 | Stan & Ollie | $873,186 | -29% | 754 | 29 | $1,158 | $3,591,192 | 6 | Sony Pictures Classics |
6 | Ralph Breaks the Internet | $721,000 | -37% | 795 | -234 | $907 | $197,015,779 | 11 | Disney |
7 | Ek Ladki Ko Dekha Toh Aisa Laga | $600,000 | — | 193 | — | $3,109 | $600,000 | 1 | FIP |
8 | Cold War | $564,336 | 2% | 217 | 106 | $2,601 | $2,182,281 | 7 | Amazon Studios |
9 | If Beale Street Could Talk | $462,288 | -51% | 454 | -152 | $1,018 | $13,234,706 | 8 | Annapurna |
10 | Destroyer | $234,391 | 31% | 235 | 158 | $997 | $1,212,019 | 6 | Annapurna Pictures |
11 | The Wife | $162,997 | 42% | 202 | 97 | $807 | $8,938,412 | 25 | Sony Pictures Classics |
# | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
---|---|---|---|---|---|---|---|---|---|
1 | Capernaum | $132,371 | 139% | 47 | 27 | $2,816 | $538,475 | 8 | Sony Pictures Classics |
2 | Arctic | $56,463 | — | 4 | — | $14,116 | $56,463 | 1 | Bleecker Street |
3 | Perfect Strangers | $27,950 | -59% | 37 | -29 | $755 | $947,506 | 4 | Lionsgate / Pantelion Films |
4 | Replicas | $20,000 | -41% | 51 | -33 | $392 | $4,024,771 | 4 | Entertainment Studios Motion Pictures |
5 | Never Look Away | $19,033 | -26% | 1 | 0 | $19,033 | $58,146 | 2 | Sony Pictures Classics |
6 | Who Will Write Our History | $18,150 | -29% | 5 | 2 | $3,630 | $70,058 | 3 | Abramorama |
7 | Simmba | $13,563 | -71% | 13 | -17 | $1,043 | $5,102,129 | 6 | Reliance Entertainment |
8 | The Wild Pear Tree | $5,392 | — | 1 | — | $5,392 | $6,374 | 1 | Cinema Guild |
9 | Jihadists | $720 | -13% | 1 | 0 | $720 | $2,072 | 2 | Cinema Libre Studio |
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