Long Range Forecast — February 21, 2025
The Monkey | Neon
Domestic Opening Weekend Range: $15M – $25M
Based on a Stephen King short story, this winter horror release should deliver a solid baseline of genre fans. On its side—and prevalent in the marketing—is the presence of director Osgood Perkins, whose 2024 smash hit Longlegs ($22.4M domestic opening, $74.3M domestic total) is still fresh in the minds of genre fans. Though The Monkey is unlikely to match Longlegs in terms of box office—for one thing, it lacks a cast member with the name recognition (and reputation for must-see performances) of Longlegs‘ Nicolas Cage—it looks to be a solid performer, tracking ahead of fellow King short story adaptation The Boogeyman ($12.3M domestic opening, $43.2M domestic total) from 2023.
Based on available footage, The Monkey looks quite a bit goofier than Longlegs, and its semi-comical premise—that a cymbal-banging toy monkey has power over life and death—could prove a deterrent to moviegoers outside the core audience of horror fans. It can’t be taken for granted that those horror fans will show up; they certainly didn’t for Universal’s January release Wolf Man, which opened under expectations to $10.8M and dropped 70 percent in its second week. But The Monkey is developing good traction, which—combined with a strong critical reception and word-of-mouth—could push our opening weekend range further north closer to release.
Long Range Forecast — February 21, 2025
The Unbreakable Boy | Lionsgate
Domestic Opening Weekend Range: $5M – $10M
A family-centric drama led by Zachary Levi, The Unbreakable Boy is Lionsgate’s latest collaboration with Kingdom Storm Company, the production company behind such faith-based titles as I Still Believe, American Underdog: The Kurt Warner Story, and Jesus Revolution, all released by Lionsgate. Kingdom’s track record of delivering mid-budget dramas that connect with a faith-based audience bodes well for The Unbreakable Boy, as does the presence both behind and in front of the camera of names familiar to faith-based audiences, including producers Jon and Andrew Erwin, two of Kingdom Story Company’s founders; director Jon Gunn (Ordinary Angels); and star Levi (American Underdog).
Lionsgate/Kingdom Story Company Collaborations
Title | Release Date | Domestic Opening | Domestic Total |
I Still Believe | 3/13/2020 | $9.1M | $10.4M |
The Jesus Music | 10/1/2021 (ltd) | $548,848 | $1M |
American Underdog: The Kurt Warner Story | 12/25/2021 | $5.8M | $26.5M |
Jesus Revolution | 2/24/2023 | $15.8M | $52.1M |
Ordinary Angels | 2/23/2024 | $6.1M | $19.1M |
Unsung Hero | 4/26/2024 | $7.7M | $20.3M |
White Bird | 10/4/2024 | $1.5M | $5M |
The Best Christmas Pageant Ever | 11/8/2024 | $10.7M | $40M |
Lionsgate has opted for a late February release date for Kingdom Story Company films before, notably with their top-grossing Kingdom collaboration, 2023’s Jesus Revolution ($15.8 domestic opening, $52.1M domestic total), as well as last year’s Ordinary Angels ($7.7 domestic opening, $20.3M domestic total). Our forecasting panel puts The Unbreakable Boy near the lower-grossing of the two with a domestic opening between $5M and $10M, putting it roughly in line with the most recent Lionsgate/Kingdom collab, The Best Christmas Pageant Ever ($10.7M domestic opening, $40M domestic total). That film held well over the holiday season, topping out at $40M domestically; should word-of-mouth not deliver for The Unbreakable Boy, it could end up with a domestic cume more like that of 2024’s Unsung Hero ($7.7M domestic opening, $20.3M domestic total).
Tracking Updates [as of January 31]
Release Date | Title | Opening Weekend Range | Distributor |
1/31/25 | Companion | $8M – $12M | Warner Bros. |
1/31/25 | Dog Man | $25M – $35M | Universal |
2/7/25 | Love Hurts | $7M – $10M | Universal |
2/7/25 | Heart Eyes | $7M – $10M | Sony |
2/14 | Paddington in Peru | $15M – $20M | Sony |
2/14 | Captain America: Brave New World | $80M – $95M (3-day) $90M – $105M (4-day) | Disney |
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